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The Story Behind the Shot #3

March 26, 2024

In this new series, I am going to give some behind the scenes details for one image at a time. I’ll go over some of my settings, what I did in the field, why I composed it the way I did, or any other bit of information that I feel is relevant to the image. I will not be posting this series on Facebook, it is meant to be a bonus article for my subscribers.

During our 2023 Mara safari, we were fortunate to have spent some time with a beautiful cheetah named Nashipae with her 4 cubs. Nashipae was/is a very good mother. She made her fearless cubs walk miles and miles so that she could hunt. They still all had their mantles and their legs were quite short, yet they kept up as best they could. Except for one time when they stopped at a puddle for a drink and mom came over with a big smack in the face…tough love, but she knew that her cubs had a huge target on their backs, and she could not afford to let them play or rest. Fewer than one in ten cheetah cubs will survive during their first few months. Lions are one of the main predators that will kill the cubs and the Mara is swarming with lions.

On one of our photo shoots, we watched as she nearly walked her unsuspecting cubs right into the claws of a sleeping male lion. Knowing that the cheetah cubs were in danger and the species is in trouble, the Maasai guides formed a line with their trucks in an effort to keep the lion from seeing the cubs. Luckily for her the wind was in her favor, she could smell the lion, but he could not smell her. She changed her course, and I don’t think anyone was more relieved than me. It was a tense time for sure.

On this morning, she came into contact with a powerful leopard, our vehicle was the first at the scene. We weren’t 100% sure what was or would happen when we got there. At first, I thought that they might fight and roll around till the death but instead they had a stand-off. Our guide said that in a situation like that they usually don’t want to risk injury but if they had fought, the leopard would have won—even though the female cheetah would have fought with everything she had. The leopard probably knew that because she had cubs she would not be as easy to attack. Still, it was a gripping encounter. This is a backlit shot of Nashipae with two of her cubs that she went back for because they were lagging behind.

Just to give you an idea of how brave this cheetah mom was, she circled back to the leopard to give it the “what for” several times. It is during encounters like this that your heart breaks. Knowing the history of both cats made it so hard as I didn’t want any harm to come to either of them. But my fingers and toes were crossed for the cheetahs.

My camera was the Sony a1, Sony 200-600mm lens, and my settings were f/6.3 (widest I could go with that lens), ISO 1600, 1/800. sec. manual mode, evaluative metering, natural light, backlit, white balance set to shade (this gives a warmer look to morning shots—usually but not always).

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Utah Road Trip-January 12-17th, 2025

March 22, 2024

For this road trip I’d like to further explore the area of southeast Utah, more specifically Factory Butte and surrounding areas. Last year I visited the butte area and thought the entire trip was amazing. I also thought that there was so much more to explore, but I didn’t have the chance. I am going back again for my third visit and taking 8 clients.

Price $1899

Dates January 12-17th - 5 nights (we leave on the 17th)

During this road trip we will drive to many of the BLM areas and parks in the area. Everyone will be responsible for driving their own car, park fees, meals and lodging. Before each shoot, I will go over gear selection, area specifics, drive times, directions, etc. Everyone will follow me to each shooting location unless you decide to venture out on your own. There is so much to explore in this area. Drones are welcomed at a lot of our shooting areas, but not absolutely necessary if you don’t have one.

The Utah Badlands feature some of the most distinctive rock formations in the world. From towering spires to intricate hoodoos, these natural wonders are a testament to millions of years of geological history. This area is also unique in that there are so many completely different areas of interest within driving range. With the myriad of formations and patterns, the photographic opportunities are endless. We will go out for sunrise and sunset daily, capturing pockets of light and color whenever possible. Our goal is to photograph and see as much of the area as possible during our 5 night adventure.

MEET & GREET (January 12th) AT 2:00pm.

TO SIGN UP FOR THIS TRIP CLICK HERE.

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Confused in the Rain

The Story Behind the Shot #2

March 21, 2024

In this new series, I am going to give some behind the scenes details for one image at a time. I’ll go over some of my settings, what I did in the field, why I composed it the way I did, or any other bit of information that I feel is relevant to the image. I will not be posting this series on Facebook, it is meant to be a bonus article for my subscribers.

On an afternoon shoot in the Maasai Mara we came across four young lions (some female, some male) looking at a Monitor Lizard. It was right in front of them but it was not moving. The lions were all looking at it and you could tell they didn’t know what to make of it. I assumed they would capture it the moment it started moving. Most cats can’t resist a chase. However, it started to rain and the lizard started to run. As suspected the lions went for it but when they got close the lizard whacked them with his tail. They retreated and this behavior repeated. Then it became a total downpour, visibility was difficult; the lizard managed to slip away… I was amazed that the group of lions let it get away. I guess it isn’t a known food source for them and they were young and perplexed. I also think they were slightly afraid of the unknown. It reminded me of my dog when I showed it one of those battery operated dogs for the first time. My dog Roxy jumped into my arms and tried to get on my head! She was so afraid of it.

My camera settings were: Sony A1, Sony 200-600mm lens. ISO 3200, 1/640sec @f/8, AWB, Natural light, @200mm. What you can deduce from my settings and the image is that I was working in low light. During this photo shoot I adjusted my shutter speed continuously until I liked the way the rain rendered. If my shutter speed was too fast-the rain looked like tiny dots and you couldn’t see it too much. If my shutter was too slow, the rain looked like streaks and my lions looked blurred. I liked this speed as it looked like snow and softened the entire scene.

To compose it I waited until they were both looking in one direction. They didn’t need to be engaged with me, but they needed to be facing into the scene. It would have been great if I had the tail of the lizard in the left corner of the frame but by this time, the lizard was under grasses and looking for its escape route.

To process the picture, I boosted the clarity a touch and kept the color tones as close to what I saw at the time. Without the heavy rain, the background would have been miserable, with lots of distractions.

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Charleston South Carolina - March 17-22, 2025

March 19, 2024

Charleston, South Carolina - March 17-22 , 2025

$1899.00 / Limit 10
Join Denise Ippolito for this low country adventure where we will highlight some of Charleston’s best known photo locations as well as a few hidden gems. During this trip we will need to be flexible in order to make the most of our time. Some highlights may include: Magnolia Plantation and Gardens, Botany Bay, Historic Downtown Charleston and Rainbow Row, Folly Beach and/or Sullivan's Island, The Ravenel Bridge and Shem Creek. This is a great place to work on infrared as well .

There will be an informal Meet & Greet at our hotel in Charleston at 2:00pm on March 17th followed by an afternoon shoot. I will present a mini-slide program and go over logistics, gear and explain some of the photo opportunities that we have in store for you. You will not want to miss this.

Daily schedule includes a morning photo shoot and an afternoon and/or evening photo shoot depending on local conditions. We will have at least one Photoshop/Lightroom session during the photo tour. Plus a few image review sessions, this is a great way to see what your fellow photographer is capturing (it is not mandatory that you participate in image review sessions but highly recommended).

Participants should plan your trip home after the morning shoot of the last day (March 22nd—approximately 12:00 noon).
*Note – There will be some walking involved and all participants must be able to walk at least 1 mile on even ground without distress. Please wear comfortable shoes. All schedule times and itinerary are subject to change depending on local conditions and weather. A detailed information sheet will be sent to you upon sign up.

Included Meet & Greet slide program and gathering, Image review sessions, Lightroom/Photoshop session,

Not Included- all meals, lodging, transportation (car pooling is encouraged), any additional access fees

TO SIGN UP CLICK HERE.

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The “Stand-off”

The Story Behind the Shot #1

March 17, 2024

In this new series, I am going to give some behind the scenes details for one image at a time. I’ll go over some of my settings, what I did in the field, why I composed it the way I did, or any other bit of information that I feel is relevant to the image. I will not be posting this series on Facebook, it is meant to be a bonus article for my subscribers.

This image appears to look like one lioness is stalking the buffalo that is splashing in the water. Here is what really happened-

Day 1 —On our very first day in the Mara we spotted two large Cape Buffalo bulls that were fending off the very large “Topi” pride of lions. I counted nineteen lions in the pride but others in our group said they had counted twenty-three. After a very long waiting game and garnishing all the back history on the shot we learned that the lionesses had once already attacked the one bull. We also found out that he was injured on his backside, though he didn’t appear to have any visible wounds. The other larger buffalo was not injured and was there as added protection trying to fend off the lionesses if they dared to get closer to his companion.

Soon, the sub-adult lions and younger cubs joined in the taunting; being careful not to get too close. A male full-sized Cape Buffalo can weight up to nine hundred kilos. Their horns are massive and with one strike could kill a female lion. At one point one of the male lions entered the scene. We all thought he came in to kill the injured buffalo for the anxiously awaiting pride. However, he was chased away by the second bull. The day ended in a stand-off with the injured bull held up in the water and the lion pride surrounding it. The second male buffalo left the scene as it started to get dark. I guess he figured he had done all he could for his friend.

Day 2–We returned to the drama we had left the night before. Expecting that the injured buffalo would be dead, and the entire pride would be picking on the remainder of his bones. But, when we got there, things were just as we had left them. Same buffalo in the water, same male sitting in the grass, same cubs playing nearby with an eye on their planned meal and the lionesses on high alert, patiently watching everyone.

After a short while the second male lion from the pride joined the rest. He was more anxious than the other male to end the stand-off. I think the buffalo was getting waterlogged and needed to eat, so he tried many times to sneak out of the water hole when the lions were starting to fall asleep. He was met time and time again by the sub adults and lionesses.

One of the times he did manage to get out and he instinctively started to feed. But he had wandered a bit too far from the safety of the watering hole and the second male lion gave chase. It ended with the male lion on the bulls back trying it’s best to take it down. His teeth never did puncture the skin of the buffalo. The buffalo made its way back to the safety of the water and the stand-off resumed. At sunset we left. It was a good 12-hour day of waiting and watching…

The next day we learned that the buffalo was taken during the night, details of his final moments were never revealed.


Now back to my shot. I was looking to capture the water splash as I had seen it happen over and over again. I took multiple images to try to get a substantial splash. When photographing animals near water, I look for a reflection or water splash or even head shake. I try to concentrate on those particular behaviors so that my photo has added interest.

For this shot, the splash was big, and it didn’t cover the buffalo’s head-which is a good thing. I also had the lioness in the background which added significantly to the image -she helps to set the scene and tell the story, without her in the shot, it would not be as powerful.

There is one large clump of grass that I just could not get above without losing that low angle. I decided after my initial shot that I would shoot using a wide-open aperture. Since I was using the Sony 200-600mm, I went with an f/6.3 instead of stopping down for two subjects. If everything from front to back in the image was sharp than I would not be able to direct the viewers eye to where the “meat of the story” is.

Choosing the right aperture is only one of the decisions that needed to be made for this shot. The shutter speed also played an important part when it came to the splash. The splash needed to be significant, but I also needed enough shutter speed to stop the large amount of water that got stirred up by the buffalo. I like to use between 1/1250sec and 1/2500sec. depending on the available light. If it’s not too bright I’ll go down to 1/1000sec. if needed.

To set my exposure for this image, I work in manual mode with natural light for almost all of my natural history subjects with my white balance set to AWB if it is not cloudy. Next, I chose my aperture of f/6.3 (I already explained my thoughts on this setting above), my shutter speed I set to 1/1600sec. since it is usually a good enough shutter speed for action. My ISO (which is now my variable, of the 3 needed settings in the exposure triangle (ISO, Aperture, Shutter speed), since I have already committed to the other 2 settings. I use my live histogram as a guide—I set it to whatever it has to be to get enough light on my subject without any blinking highlights for the water. So that means to push the information on my histogram box over to the right wall without touching it. For my Sony a1, I usually back off of that wall a little more than I did with my Canon bodies. I take a test shot and use my actual histogram and highlight alerts to double check my exposure.

Light angle and positioning near the water hole was an important piece of the puzzle. I was thankful that our driver/guide got us in a great spot and that our group was willing to wait out the drama. Patience is always the key to getting good shots. Yes, we could have left and gotten some mediocre shots of other animals, but getting a really good image and having this experience to remember is part of what makes a good safari. BTW, we did all end up with a boatload of great images from that trip after all this drama was over.

For processing this shot, I should have cloned out the clump of grass, it’s not above my skill set and would be an easy fix, but at the time that I took the image I was still competing and wanted to enter this shot—I never did. So, I may go back to the original and remove it.

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