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A CREATIVE ADVENTURE photography by denise ippolito

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Locked and Loaded

April 19, 2025

All my bags are packed I’m ready to go. I’m leaving on a jet plane…can’t wait to go!  

I spent the morning getting my gear together, charging all my batteries, packing everything into my Think Tank Airport Advantage bag. I am bringing the Sony 400-800mm lens instead of my trusty 2-6, (wish me luck) my 70-200mm f/2.8 II lens, 12-24mm lens and my 24-105mm lens, 2 camera bodies and spare cards and batteries,

My clothes along with toiletries , spare pair of hiking boots, extra socks, a hat, gloves, scarf, buff, jacket, fleece and rain gear have all been packed into my checked bag. 

My backpack will hold my laptop, track ball, mufti-plug extension cord, external hard drive, headphones, tripod with head, and a change of clothes (in case my bag gets lost).

Obviously, I haven’t mentioned every single thing I’m packing but it covers the bulk! I’m leaving out of JFK so I won’t be able to put a strap around my suitcase (a JFK rule) but it’s not over-stuffed so I should be ok. 

I’m heading to Chile to go to Torres del Paine to photograph Pumas once again. It will be so nice to get back there and reconnect with friends/colleagues. 

No matter how many times I fly, I still get excited about flying. Some people hate to fly, I love it! I don’t love the airport hassles or worrying about gear getting onboard but I have been more relaxed than ever about my gear. It only took about 15 years but I realize that whatever happens, I’ll be fine with. 

Safe travels to you on your next adventure. Enjoy the journey each and every step of the way as well as the destination.

7 week old Puma cub in the rain

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Recharging Creativity Workshop ~ November 3-7, 2025 Announced!

April 17, 2025

I love creative photography; including in-camera blurs, multiple exposures, high-key imagery, soft focus, etc… I have put together a second creative workshop titled “Recharging Your Creativity” dedicated to in-camera and post-processing techniques to re-charge some of that creative energy inside of you.

November is a good time for me so I will be conducting this workshop in Charleston SC, the weather will be moderate at that time of year and there are plenty of trees, water and other elements that lend themselves nicely to creative photography. So consider taking a break from the norm and recharge some of your creativity. Post-processing will be a big part of this workshop as capturing is only the beginning… This workshop is not to be confused with my March Charleston workshop, which is geared more towards photographing iconic Charleston locations. Even though we will not have access to all of the subjects shown in the imagery above, the techniques will still be covered in this course.

Dates: November 3-7, 2025

Location: Charleston area (exact location, times and hotel will be sent in a file at sign up)

Cost: $1500.

Limit 10 with a minimum of 8.

Does not include any lodging, transportation, admission fees (if any) or meals. this is the tuition cost.

Schedule

November 3rd - Meet & Greet at 12:00noon followed by a 3 hour afternoon photo shoot

November 4th - 3 hour morning photo shoot followed by a lunch break then a 2 hour afternoon Photoshop session.

November 5th - 3 hour morning photo shoot followed by a lunch break then a 2 hour afternoon Photoshop session.

November 6th - 3 hour morning photo shoot followed by a lunch break then a 2 hour afternoon Photoshop session.

November 7th - 3 hour morning photo session. End of workshop

*This is an intense workshop filled with a lot of creative ideas and challenges. Open to all levels of photography but must have working knowledge of your camera and be able to change the shutter speed, ISO, aperture and exposure compensation. Photoshop sessions are complete with notes and are geared towards anyone with knowledge of layers and masks.

At the end of this workshop each participant will be asked to share their favorite image from the workshop. I will do a blog post with each of the chosen images, giving credit to the maker.

Some of the techniques covered in this course:

In-camera blurs, including the myriad of ways to capture and process them.

Composites, layering and stacking

High-key imagery -capture and processing

Multiple Exposures and the many ways to create them both in-camera and/or in post-processing.

Photoshop Blurs

Photoshop post-processing- fun techniques.

TO SIGN UP CLICK HERE.

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Comment

The above image is the original jpeg image from my files, the dahlia was captured at Swan Island Dahlia Farm in Canby Oregon about 9 years ago. My original thought for the image was to capture in in-camera blur to add some movement to the dahlia. But, that did not work out as expected so I went with plan B and added a texture to it in Photoshop. Then, I added a slight white overlay to mimic a frosty look.

Careful

April 16, 2025

I was going to share the image on Facebook but I noticed a couple of over-looked dust bunnies. I didn’t have the tiff file on my laptop, so I brought the jpeg file back into Photoshop and removed the dust bunnies. I do not recommend re-working on jpeg images in Photoshop.

I always save my master files as tiffs and work on only my tiff files in Photoshop. But what if you don’t have the tiff file available to you on your laptop and you want to take out a dust bunny or do something else in Photoshop with the image? Then you will need to be careful when saving the file. Especially if you “save for web” which is what I normally do in Photoshop after resizing the image for the web. To get to “Save for web” go to File> Export> Save for web.

If you save the jpeg image again, with the “convert to sRGB” box checked. The colors can look overly saturated and garish, and not as intended. SEE image directly below.

ABOVE: Original jpeg after bringing back into Photoshop and saving it for web again with the “convert to sRGB” box checked. The picture looks overly saturated and garish, and not as intended.

ABOVE: Original jpeg after bringing back into Photoshop and saving it for web again with the “convert to sRGB” box NOT checked. See screenshot below. This is more true to the original.

I’ll be conducting another Photography workshop at Swan Island Dahlia Farm in Canby Oregon this August on the 19th-23rd with a Meet and Greet on the 18th. I’d love to see you there and share some more of my Photoshop tips.

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HELLO KITTY-SERVAL KITTEN, MARA.

One Spot Just opened Up!

April 12, 2025

Kenya, Maasai Mara and Samburu ~ African Safari ~ October 10- 20, 2025

Limit: 3 photographers

Price $10,999. based on double occupancy-spot filled, thank you.

We will have custom safari vehicles that are designed so that we can shoot out of the sides, or standing out of the top, and each person will have a row to themselves. This photo tour will be an amazing adventure with the very best guides and photographic opportunities.

Join award winning photographer and tour leader Donna Bourdon (I will be there at the same time in another vehicle working together with Donna‘s group to get the most sightings possible) for an amazing safari adventure to the Maasai Mara National Reserve.

The Mara is an area of preserved savannah wilderness in southwestern Kenya, along the Tanzanian border. It is home to the famous Big Five (lion, elephant, rhino, leopard and buffalo ). But more importantly, it is one of the most famous and significant wildlife conservation and wilderness areas in Africa. It is also noted for its exceptional populations of African leopard, large prides of lion and cheetah. A visit to the Mara pretty much guarantees multiple sightings daily of big cats. Of course, elephant, giraffe, zebra, wildebeest, rhino, hippos and more can be photographed as well. For a full species list CLICK HERE.

Unlike many other game parks in Africa and around the world, we do not face restrictions on when we can leave and return to the camp. The plan for most mornings is to leave before sunrise to locate the animals that we want to photograph before the sun comes up. Many of the cats are most active in the very early morning. Usually we will try to locate the cats that we have been with the previous evening. The guides have radios in all the vehicles such that on occasion, we may split up. Our guides are in radio contact with drivers from other camps and lodges as well. This gives us a good chance to get to wildlife encounters quickly assuming they are occurring near to our existing location. Most days, when the sun is hot and the light is too bright we will go back to camp, download our images, relax over a cool beverage and spend time preparing for the afternoon safari drive.

The Samburu National Reserve is a game reserve on the banks of the Ewaso Ng'iro river in Kenya. Sporting awe inspiring, iconic acacia trees against an arid, red African soil. Samburu is home to what is referred to as the “special five” species: Grevy zebra, Somali ostrich, Reticulated giraffe, gerenuk, and the Beisa Oryx. In addition to these rare beauties, Samburu is also home to all three big cats, the lion, cheetah, and leopard. Wild dog sightings are not common but still possible. And a population of over 900 Elephants attract photographers from around the world. Last year we had backlit dust with oryx fighting, it was great fun.

Vehicles

We will use 1 stretch/modified Toyota Land Cruisers. There will be three rows of seats in the vehicle so that each person has a row to themselves. That way everyone can shoot unencumbered irrespective of what side of the vehicle the action is taking place.

The vehicle is designed so that you can shoot out of the sides or standing, out of the top. The top of the vehicle has two roof hatches which we remove at the start of each day (they rest on the top of the vehicles next to the openings such that they can put back on if it rains or if we need shade.

The side of the vehicle comprises either a large roll down windows or roll up, transparent canvass sides. Again, we roll these canvases side up before we go out each day but if it rains, they can quickly be rolled down.

Included

Accommodations on shared basis, unless a single supplement is requested and is available. This trip is for 3 nights in Samburu and 6 nights in the Mara, one night in Nairobi at the start of the trip.

Wifi in our tents at the Mara.

All meals once we get to our camp.

Domestic flights with ample weight allowance for baggage.

Guaranteed row and window seat in a private 4X4 land cruiser

Park fees

Bottled drinking water in safari vehicles and rooms.

Not Included

International flights

e-Visa

Travel and Medical insurance

Personal purchases (including beverages, laundry, phone calls, etc)

Accommodations before or after the tour

Tips for drivers/guides/camp-approximately $400.00 per participant.

Deposit Information: A non-refundable deposit of $2,000 due now to hold your spot. Final payments are due January 15, 2024 via check or wire transfer only, fees on both ends are the responsibility of the participant. Credit cards will not be accepted for any payment other than deposit. Full payments are always welcomed via check or wire transfer . All checks made payable to: Denise Ippolito LLC. Please note that I will do my very best to secure you a room mate; if I am unable to secure you a room mate then you will be charged for a single supplement.

Please be sure to check your calendar carefully and to check out my Workshop Policy Page.

Note: Purchasing travel insurance is strongly recommended.

Single supplements for this trip are 1300.00 limited availability. You must let me know at sign up if you want one.

*A detailed information sheet will be sent upon sign up. To be clear, this is not a birding trip though we will stop for some of the more popular birds.

1 Comment

Sony 400-800mm lens

April 11, 2025


I just received the Sony 400-800mm f/6.3-8 G lens from B&H, they sent me it as a loaner ( I may end up keeping it ), for my upcoming Patagonia trip. I heard some good things about it and I am going to see how it stacks up against the Sony 200-600mm lens that I am currently using. Both lenses have an internal zoom, so at least I won’t be giving that up—the internal zoom is one of my favorite features. With the additional 200mm worth of reach, weighing it at just over 5.45 lbs, it’s definitely a contender. Will I end up ditching my 200-600mm after using this one—time will tell, but the reviews are hinting that I just might! However, for the price (approximately 5k for both)—you may not need to part with either one!

If you have any thoughts please share them here so everyone can benefit. Thx.

This is just a quick snap shot of the to lenses together. Not a huge difference. I will need to add a plate to the 4-8.

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